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Sunday, April 30, 2023

'sudo' and 'su' Are Being Rewritten In Rust For Memory Safety - Slashdot - Slashdot

Phoronix reports:
With the financial backing of Amazon Web Services, sudo and su are being rewritten in the Rust programming language in order to increase the memory safety for the widely relied upon software... to further enhance Linux/open-source security.

"[B]ecause it's written in C, sudo has experienced many vulnerabilities related to memory safety issues," according to a blog post announcing the project:
It's important that we secure our most critical software, particularly from memory safety vulnerabilities. It's hard to imagine software that's much more critical than sudo and su.

This work is being done by a joint team from Ferrous Systems and Tweede Golf with generous support from Amazon Web Services. The work plan is viewable here. The GitHub repository is here.


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Chemical Vapor Deposition (CVD) Explained - SciTechDaily

Initiated Chemical Vapor Deposition (iCVD)

In the process called initiated chemical vapor deposition (iCVD), Heated wires (pink cylinders) cause “initiator” molecules (red) to split, and they then interact with the monomers (purple) used for coating, causing them to collect on the cooler surface below, where they react to form a polymer chain as they build up in a uniform coating (bottom right). Credit: Illustration courtesy of Karen Gleason

Technique enables production of pure, uniform coatings of metals or polymers, even on contoured surfaces.

MIT’s Karen Gleason has advanced Chemical Vapor Deposition (CVD) techniques, transforming it from a high-temperature to a low-temperature process, enabling the deposition of delicate materials like organic polymers. Her work has broadened the applications of CVD, allowing the creation of uniform coatings of metals or polymers on various surfaces. Gleason’s innovation also led to the production of materials from insoluble precursors and the formation of stronger bonds between coatings and substrates. Further evolution of CVD includes high-temperature applications like creating graphene sheets and carbon nanotube arrays.

In a sense, says MIT chemical engineering professor Karen Gleason, you can trace the technology of chemical vapor deposition, or CVD, all the way back to prehistory: “When the cavemen lit a lamp and soot was deposited on the wall of a cave,” she says, that was a rudimentary form of CVD.

Today, CVD is a basic tool of manufacturing — used in everything from sunglasses to potato-chip bags — and is fundamental to the production of much of today’s electronics. It is also a technique subject to constant refining and expansion, pushing materials research in new directions — such as the production of large-scale sheets of graphene, or the development of solar cells that could be “printed” onto a sheet of paper or plastic.

In that latter area, Gleason, who also serves as MIT’s associate provost, has been a pioneer. She developed what had traditionally been a high-temperature process used to deposit metals under industrial conditions into a low-temperature process that could be used for more delicate materials, such as organic polymers. That development, a refinement of a method invented in the 1950s by Union Carbide to produce protective polymer coatings, is what enabled, for example, the printable solar cells that Gleason and others have developed.

CVD Process

The CVD process begins with tanks containing an initiator material (red) and one or more monomers (purple and blue), which are the building blocks of the desired polymer coating. These are vaporized, either by heating them or reducing the pressure, and are then introduced into a vacuum chamber containing the material to be coated. The initiator helps to speed up the process in which the monomers link up in chains to form polymers on the surface of the substrate material.
Credit: Illustration courtesy of Karen Gleason

This vapor deposition of polymers has opened the door to a variety of materials that would be difficult, and in some cases impossible, to produce in any other way. For example, many useful polymers, such as water-shedding materials to protect industrial components or biological implants, are made from precursors that are not soluble, and thus could not be produced using conventional solution-based methods. In addition, says Gleason, the Alexander and I. Michael Kasser Professor at MIT, the CVD process itself induces chemical reactions between coatings and substrates that can strongly bond the material to the surface.

Gleason’s work on polymer-based CVD began in the 1990s, when she did experiments with Teflon, a compound of chlorine and fluorine. That work led to a now-burgeoning field detailed in a new book Gleason edited, titled “CVD Polymers: Fabrication of Organic Surfaces and Devices” (Wiley, 2015).

At the time, the thinking was that the only way to make CVD work with polymer materials was by using plasma — an electrically charged gas — to initiate the reaction. Gleason tried to carry out experiments to prove this, beginning by running a control experiment without the plasma in order to demonstrate how important it was for making the process work. Instead, her control experiment worked just fine with no plasma at all, proving that for many polymers this step was not necessary.

But the equipment Gleason used allowed the temperature of the gas to be controlled separately from that of the substrate; having the substrate cooler turned out to be key. She went on to demonstrate the plasma-free process with more than 70 different polymers, opening up a whole new field of research.

The process can require a lot of fine-tuning, but is fundamentally a simple set of steps: The material to be coated is placed inside a vacuum chamber — which dictates the maximum size of objects that can be coated. Then, the coating material is heated, or the pressure around it is reduced until the material vaporizes, either inside the vacuum chamber or in an adjacent area from which the vapor can be introduced. There, the suspended material begins to settle onto the substrate material and form a uniform coating. Adjusting the temperature and duration of the process makes it possible to control the thickness of the coating.

With metals or metal compounds, such as those used in the semiconductor industry, or the silvery coatings inside snack bags, the heated metal vapor deposits on a cooler substrate. In the polymer process, it’s a bit more complex: Two or more different precursor compounds, called monomers, are introduced into the chamber, where they react to form polymers as they deposit on the surface.

Even high-temperature CVD processing has evolved, with great potential for commercial applications. For example, the research group of John Hart, an associate professor of mechanical engineering, has built a roll-to-roll processing system using CVD to make sheets of graphene, a material with potential applications ranging from large-screen displays to water-filtration systems. Hart’s group and others have used CVD to produce large arrays of carbon nanotubes, materials with potential as new electrodes for batteries or fuel cells.

“It’s a very versatile and widely used manufacturing process,” Hart says, “and a very general process that can be tailored to many different applications.”

One great advantage of CVD processing is that it can create coatings of uniform thickness even over complex shapes. For example, CVD can be used to uniformly coat carbon nanotubes — tiny cylinders of pure carbon that are far more slender than a hair — such as to modify their mechanical properties and make them react chemically to certain substances.

“By combining two CVD processes — one to grow the carbon nanotubes, and another to coat the nanotubes — we have a scalable way to manufacture nanomaterials with new properties,” Hart says.

Much progress in CVD research in recent years traces back to Gleason’s unexpected discovery, back in the 1990s, that the process could work without plasma — and her follow-up on that finding. “You need to pay attention when a new thing happens,” she says. “That’s sort of the key.”

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Chemical Vapor Deposition (CVD) Explained - SciTechDaily
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Saturday, April 29, 2023

Dell G15 gaming laptop with RTX 3070 Ti, Core i9-12900H and 240Hz QHD display on sale for 29% off thanks to coupon code - Notebookcheck.net

Dell

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Dell G15 gaming laptop with RTX 3070 Ti, Core i9-12900H and 240Hz QHD display on sale for 29% off thanks to coupon code - Notebookcheck.net
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Microsoft is Rewriting Parts of the Windows Kernel in Rust - Thurrott.com

Microsoft vice president David Weston revealed this week that Microsoft will follow Linux and rewrite parts of the Windows kernel in Rust.

“We’re in the crawl stage of crawl, walk, run of Rust in Windows,” Mr. Weston said during an appearance at the Microsoft’s BlueHat IL 2023 conference. “We’re talking about one of the most complex engineering products on the planet. But our goal is to do this to improve security … So you will actually see Windows booting with Rust in the kernel in probably the next several weeks or months, which is really cool. The basic goal here is to convert some of these internal C++ data types into their Rust equivalents.”

The sample code he displayed demonstrated part of the reason for this conversion: the Rust code is much easier to write and understand than the current C++ code. It’s also safer and more secure: for those unfamiliar, Rust is a modern C-like programming language that’s beloved by developers because its forces the creation of safe, native code without the overhead of managed languages.

According to Weston, Microsoft has already rewritten 36,000 lines of code in the Windows kernel in Rust, in addition to another 152,000 lines of code it wrote for a proof of concept DirectWrite Core library, and the performance is excellent with no regressions compared to the old C++ code. He also called out that “there is now a syscall, in the Windows kernel, written in Rust.” A syscall, or system call, is how user mode applications interact with internal kernel functions (to oversimplify it).

I’m curious to see how Microsoft calls out this work in the future, but the DirectWrite Core library is available now in the Windows App SDK, and some GDI work is coming soon to Insiders. What Microsoft won’t be doing is replacing the entire “40 years of work” in C/C++ in the kernel with Rust, but I’m sure it makes sense to replace some of that work to remove legacy attack surfaces while moving new kernel work to Rust, as is the case with Linux: the recently released Linux 6.1 kernel is the first to include Rust code.

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Microsoft is Rewriting Parts of the Windows Kernel in Rust - Thurrott.com
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More Rust Code Readied For Linux 6.4 - Phoronix

LINUX KERNEL
On Friday the Rust for Linux lead developer Miguel Ojeda submitted a pull request of new Rust feature code for the Linux 6.4 kernel.

New Rust code for Linux 6.4 includes the introduction of the pin-init API, which is for dealing with safe pinned initialization and allows reducing the amount of "unsafe" Rust code within the kernel around data structures needing a stable address. The new pin-init API in turn will also be used by other upcoming Rust for Linux abstractions.

Rust code for Linux
Rust example code for the new pin-init API with Linux 6.4.


The Rust code with Linux 6.4 also adds new types and traits to the sync module, a new ioctl module with new "_IOC*" const functions equivalent to the C macros, a new uAPI crate to be accessible by drivers directly, and other improvements to existing modules/crates.

More details on the Rust feature code being added for Linux 6.4 can be found via this pull request.

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More Rust Code Readied For Linux 6.4 - Phoronix
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Tecno Camon 20 live images leak - GSMArena.com news - GSMArena.com

Tecno launched the Camon 19 series back in July of 2022, and so we're clearly fast approaching the unveiling of the Camon 20 devices. According to past reports, there will once again be three of them - the vanilla Camon 20, the Camon 20 Pro, and the Camon 20 Premier 5G.

The Camon 20 has now been leaked in the live images you can see below. There's also a short video showcasing the upcoming device. The Camon 20 is said to sport 8GB of RAM and 256GB of on-board storage, and will have the model number Ck8n.

Tecno Camon 20 Tecno Camon 20
Tecno Camon 20

While we currently have no more details about the Camon 20, the Camon 20 Premier 5G has been rumored to be powered by MediaTek's Dimensity 1200 SoC, paired with up to 16GB of RAM and 256/512GB of non-expandable storage. It's supposed to have a 108 MP main rear camera, a 13 MP ultrawide, and a macro shooter. The display will be a 1080p AMOLED with 120 Hz refresh rate and an embedded fingerprint sensor.

The Camon 20 Pro, on the other hand, is said to have a 6.7-inch LCD screen, the MediaTek Helio G99 SoC, a 64 MP main rear camera, a 32 MP selfie snapper, and a 5,000 mAh battery.

Source

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Friday, April 28, 2023

Samsung's art-inspired Frame TV opts for aesthetic upgrade over hardware boost - TechRadar

Samsung The Frame 2023 model
(Image credit: Samsung)

Samsung has quietly launched the 2023 version of its Frame QLED (Quantum Light Emitting Diode) Smart TV line with the company closely adhering to the idea of “if it ain’t broke, don’t fix it”. 

The Frame series is a bit of an oddball in the realm of smart TVs as it has exclusive access to Samsung’s Art Store (opens in new tab), a subscription service where owners can purchase pieces of digital versions of famous artworks. These TVs double as decorative pieces and the 2023 rendition is no different (opens in new tab). Each display can be customized by installing magnetic wooden bezels onto its frame, or, as is the case with this year’s Frame, a metallic one sporting a Sand Gold finish (opens in new tab) for that extra pizzazz.

Beyond the aesthetic changes, the 2023 Frame is nearly identical to the 2022 model. You still get a resolution of 1920 x 1080 pixels with a refresh rate of 60Hz. You still get all of the bells and whistles like HDR10 Plus, an Anti-Reflection matte screen to “reduce the effects of glare”, plus a motion sensor to “display [art] when you’re in the room”. And support for Quantum Dot technology for outputting vibrant colors is migrating over too. 

Availability

At the time of this writing, the 2023 Frame TV is seeing a limited release. In the United States, you can purchase just the 32-inch model for $599; shipping out on May 1. Bezels are currently available for pre-order in wood only for $99.99 in three different colors: white, teak (which is a light brown), and dark brown. The Sand Gold metal bezel won’t be out until June 2023, so you’ll have to wait a bit longer.

For those in the United Kingdom, they have way more options. Interested buyers there can buy from six different sizes ranging from 32 inches (opens in new tab) to 85 inches (opens in new tab), except the 50-inch model. That one is unavailable at this time. Prices for the TVs start at £549. The metal bezels are indeed available in the UK (opens in new tab) except for the 32-inch Frame TV. If you want the metal option, you’ll need to purchase the 43-inch model or anything bigger. Prices for the decorative bezels start at £89. We should also mention the full range of Frame TVs is available in Germany but on Amazon instead (opens in new tab). Prices start at €685.

We asked Samsung if it has plans to expand the number of Frame TV sizes in the United States. Will the US get the full range or be stuck with the 32-inch screen? And whether or not there are plans for an international release. This story will be updated if we hear back.

Check out TechRadar’s list of the best TVs for 2023. We cover a wide range from low-budget to top-tier 8K displays.  

Contributor

Cesar Cadenas has been writing about the tech industry for several years now specializing in consumer electronics, entertainment devices, Windows, and the gaming industry. But he’s also passionate about smartphones, GPUs, and cybersecurity. 

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Samsung's art-inspired Frame TV opts for aesthetic upgrade over hardware boost - TechRadar
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The Tuner by Module 8– the world’s first variable-look cinematic lens system - Newsshooter

M8 Tuner Group Stripe 01

Have you ever wanted to try and make your lens look like a Canon K-35 or a Super Baltar? Well, you are in luck. Module 8 (a spin-off of Moment) has officially announced what they are claiming is the world’s first variable-look cinematic lens system. It was designed to work with your existing glass to bring a classic film aesthetic when using mirrorless digital cameras.

It’s strange times we live in when someone releases a product that was specifically designed to make lenses optically worse!

module8 27

The Tuner, by Module 8 features World Wide Patent Pending technology called Vari-Look, which enables The Tuner to emulate classic lenses and give you the manual control to adjust the strength of that look. According to the company, they have essentially built a precision zoom lens, but for aberrations.

In-Focus Look Variability allows you to manually adjust the strength of the look directly on The Tuner all while maintaining accurate focus. Speaking of focus, the adapters work with autofocus and in-camera stabilization. The Tuner supports EF to E and EF to RF electronics.

ezgif.com-video-to-gif-3.gif

According to the company, the magic of the Tuner lies in the fact that it behaves like a zoom lens. Zoom lenses are precision optical systems that use multiple elements moving differentially in a cam to change something (usually focal length) and also to keep the image in focus.

module8 35

The Vari-Tune technology can be considered a precision imperfection in that they can design any specific aberration into the lens or any combination of aberrations for truly unique looks. They can also add third and higher-order spherical aberration and subtle chromatic to create bloom and glow.

module8 20

If that wasn’t enough, they can even add coma, astigmatism, and other aberrations to render the edges of the frame in a softer way and create unusual depth of field effects. For example, their L3 Retroscope lens was designed with similar off-axis astigmatism found in vintage anamorphic lenses. This can be used in a number of new and exciting ways and can make your 2.35:1 crop of spherical footage look more anamorphic even though it was shot on spherical lenses.

ezgif.com-video-to-gif-6.gif

The sophisticated CAM mechanism and custom electronics board allow the company to create a very compact device that can be used on quite a few mirrorless cameras. They also have plans to extend this technology to some new products.

Screenshot 2023 04 27 at 3 59 45 PM

Now, the caveat is that the adapter only works with Canon EF lenses and it only supports lenses from Canon, Tamron, and Sigma. You can use it with certain Sony E-mount cameras or Canon RF-mount cameras. It won’t work with the Sony VENICE/VENICE 2 or FS7/FS7 II.

While most EF lenses should work, autofocus support is limited when it comes to the longer Zoom lenses such as 100-400mm.

Screenshot 2023 04 27 at 3 58 30 PM

Above you can see what lenses and cameras are compatible.

ezgif.com-video-to-gif-5.gif

There will be three Tuners available, each with their own distinct look.

Screenshot 2023 04 27 at 3 56 21 PM

The Tuner is powered by Iain Neil’s Vari-lTune technology. You’ll no longer need to select a fixed-look vintage lens, instead, you’ll be able to select the look you like and then manually adjust from min to max.

ezgif.com-video-to-gif-8.gif

L1 Tuner

Module 8 Tuner L1 Solo 3Q 01

The L1 Tuner look was inspired by the infamous Super Baltar. The Baltar look is soft and warm with a lower contrast to take all the hard edges off digital footage.

L2 Tuner

Module 8 Tuner L2 Solo 3Q 01

The L2 Tuner was inspired by Canon K-35 lenses. The K-35’s were a revolutionary lens for their time with a T/1.5 speed and aspherical elements. They were used in films such as Rocky and American Hustle.

L3 Tuner

Module 8 Tuner L3 Solo 3Q 01

The L3 Tuner is inspired by the look of anamorphic lenses and it was designed to simulate the vertical/horizontal depth of field effects seen when using vintage anamorphics, but without the flares or bokeh.

The Tuners also support EF to E and EF to RF electronics, making it compatible with your autofocus and stabilization. This makes the Tuner significantly easier to use than a traditional vintage lens.

Who is Module 8?

Screenshot 2023 04 27 at 4 13 25 PM

Module 8 was founded by Ian Neill and Mike Thomas. Having spent their careers designing optical products for everyone else, they finally decided to embark on their own journey.

Iain Neill has 13 Technical Academy Awards, including the Gordon Sawyer Lifetime Achievement Award, 3 Emmys, and the Fuji gold medal. He also holds over 50 US patents. His previous optical work reads like a Who’s Who of the companies that truly lead their fields. He is considered a world expert in zoom and cinematography lenses and he brings over 40 years of optical design, technology, and entrepreneurship experience to the team. He has worked at companies such as Panavision and Cooke.

Mike Thomas has spent the last 30 years designing and building custom lens systems, optical manufacturing, and vertical supply chains. He has been involved in every aspect of optical design and production from AR/VR optics to photo/cine, industrial and medical products.

Specifications

Screenshot 2023 04 27 at 3 50 46 PM

Price & Availability

Module 8 Tuner Solo 01

The retail price for The Tuner by Module 8 will be $1,999.99 USD. They should be available at the end of August. Please be aware that this price if for one Tuner and not all three.

It has been launched on Kickstarter and you can currently pre-order it for $1,000 USD if you jump in early.

Thoughts

This is certainly an interesting concept, but my concern is how many people using mirrorless hybrids will be prepared to pay $2,000 USD for an adapter.

If this was available in PL mount or a mount that attaches natively to ARRI cameras then I could see rental houses or even owner/operators picking one up. In its current form, it is a little bit niche for the market it is probably trying to target. Although, in saying that, there are quite a few cine lenses that have user-interchangable PL and EF mounts.

I haven’t personally seen or used one so maybe I am a little bit skeptical. I know many people have tried to emulate older lenses in the past, but I haven’t personally seen anything other than a K-35 that looks like a K-35. In saying that an adapter that can tune your image makes a lot of sense because vintage lenses with ‘character’ aren’t always the best choice for a lot of projects. Being able to take a modern piece of glass and then de-tune it via an adapter arguably may make more sense than spending a lot of money on a vintage lens that is always going to have the same look.

Would you buy one of these adapters? Let us know in the comments section below.

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The Tuner by Module 8– the world’s first variable-look cinematic lens system - Newsshooter
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Thursday, April 27, 2023

The Israeli plan to fit a fusion reactor into a container - BBC

The surface of the SunGetty Images

From the outside it looks like an ordinary warehouse. But inside this unassuming building, in Hod Hasharon central Israel, is one of the most ambitious energy projects in the Middle East,

Researchers at NT-Tao have joined an elite group of around 35 private start-ups that are trying to build a commercial fusion reactor.

Nuclear fusion is the reaction that powers our Sun and the other stars in the universe. It's the process of fusing two hydrogen atoms together which produces immense amounts of energy. If it can be harnessed here on Earth, then it promises abundant, cheap and emission-free electricity.

Late last year researchers at the US National Ignition Facility (NIF) in California made a breakthrough. Scientists conducted the first controlled fusion experiment to produce more energy from the reaction than that used by the lasers which sparked it.

Despite that success, there are still many challenges to overcome before a fusion reactor is producing electricity for your home.

Researchers are using different approaches to overcome those hurdles.

Plasma captured in a magnetic field
Tokamak Energy

One way of achieving fusion is to heat hydrogen isotopes to hundreds of millions of degrees, until they become so energetic they break apart into a whirling state of matter called plasma.

That plasma can then be contained by powerful magnetic fields - an approach known as magnetic confinement fusion.

There are different ways to arrange the magnetic field. In a device known as a tokamak the plasma is confined by magnets that form a doughnut-like shape. In a stellarator the plasma is sent on a twisting path through the machine.

At NT-Tao, the approach involves combining those two approaches, the tokamak and stellarator.

"Without giving away our secret power, what we can say at this point is that NT-Tao is taking the best of existing tokamak technology and the best of existing stellarator technology," says chief executive Oded Gour-Lavie, who founded NT-Tao in 2016 with Boaz and Doron Weinfeld.

"We are refining those technologies to make a new design that will operate at significantly higher plasma density, giving us the ability to generate a fusion reaction with a much smaller footprint than most of the other solutions under development," he adds.

So NT-Tao is betting that by using denser plasma, its reactor core can be smaller and so can all the other engineering around it.

The goal is for the company's Modular Fusion Reactor to be the size of a shipping container. That would be radically smaller than other fusion projects.

For example, in the UK a government-backed prototype fusion plant is being planned for a site spanning 300 hectares (740 acres) that currently hosts a coal-fired power station.

Oded Gour-Lavie, chief executive and founder of NT-Tao
NT-Tao

He sees NT-Tao reactors providing electricity in places that might not have access to the grid, powering desalination plants, mines, or charging electric cars.

"The shipping containers can be stacked or manoeuvred to bring clean energy to any area that requires it," says Mr Gour-Lavie.

Building any kind of working fusion reactor is incredibly challenging, but to make a compact version adds an extra layer of difficulty.

Despite the magnitude of the hurdles, NT-Tao has attracted high-profile investors.

Last year NT-Tao made headlines when Honda invested in the company - making Honda the first car company to invest in fusion energy. Including the funding from Honda, NT-Tao received over $28m (£23m).

Honda is betting that NT-Tao's plan for a relatively small reactor will allow it to build test reactors more quickly.

"Honda has high expectations for the future of NT-Tao, a company with advanced fusion energy technology," said Shinji Aoyama, director and senior managing executive officer of Honda, in a press release in February.

"Honda believes that fusion energy technology will be a breakthrough technology for affordable, stable, clean energy, and we envision this technology will become increasingly important as electrified vehicles become more popular," he said.

Money has been flooding into fusion projects in recent years. A 2022 report by the Fusion Industry Association says fusion companies have declared over $4.7bn of private funding to date, plus an additional $117m in grants and other funding from governments.

Some of the start-ups say they are confident they can get the power going by the end of the decade.

But many remain cautious about the prospects for fusion technology.

Arthur Turrell, author of The Star Builders: Nuclear Fusion and the Race to Power the Planet
Karen Hatch

Arthur Turrell, author of The Star Builders: Nuclear Fusion and the Race to Power the Planet, says that existing nuclear power plants that split atoms in a process known as fission are the best bets for now.

"Nuclear fission is currently the safest large-scale source of energy on the planet and competitive with the best renewables. You don't need much fuel, you don't need that many people to run it once it's built, and you only need a relatively small site.

"Of course there have been rare meltdowns in reactors and it's understandable people are worried about that," he says, referring to disasters such as Fukushima and Chernobyl.

The safety issue is one of the attractions of fusion technology.

"It's really safe," says Mr Turrell. "There is no chance of a meltdown in nuclear fusion as it works in a completely different way. I have done a tour in a lot of these facilities and the worst thing people are worried about is falling off ladders."

Presentational grey line
Presentational grey line

Bracha Halaf, the former chief scientist at the Israeli Ministry of Energy, is cautious.

"There's still a long way to go, and numerous challenges in order to stabilise, control and configure the prototypes that can demonstrate a continuous small fusion reactor," she says.

As you might expect, Andrew Holland, chief executive of the Fusion Industry Association, is more optimistic that someone will clear the hurdles to building a fusion power plant.

"Fusion will change the world. It is the ultimate energy source. Not all companies will be successful in commercialising fusion, but the industry itself is both inevitable and game changing."

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The Israeli plan to fit a fusion reactor into a container - BBC
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These Lens Adapters Are Like Vintage Instagram Filters for Modern Cameras - Gizmodo

Gif: Module 8

Smartphone makers like Apple and Samsung spend millions of dollars to improve the quality of the cameras on their mobile devices, only for users to slap a vintage filter on their shots before sharing them on social media. The Tuner promises to give modern camera lenses a retro look by recreating the flaws of classic lenses responsible for their unique aesthetics that produced footage with a look you just can’t recreate in post-production.

Technology has been moving toward finding ways to deliver media to audiences with as much clarity, resolution, and color fidelity as possible. At the same time, the popularity of vinyl records, a distinctly analog medium full of unique flaws, has been exploding, and we’ve even seen older technologies, like Polaroid’s instant cameras, return from the grave. The quality of instant film, as we found when reviewing the Polaroid OneStep 2 six years ago, is kind of awful, but that’s actually a big part of its appeal. It has a unique analog aesthetic that makes photos from the camera look distinct, and arguably, more real, than the seemingly perfect images our smartphones can now capture.

Older films have their own distinct look as a result of a variety of different factors, including the camera technology of the time, the film stock, and the lenses used. Making camera lenses is an exacting process and one that lens makers have gotten much better at over time, resulting in the beautifully sharp imagery modern cameras can capture.

Older lenses often suffered from minor optical flaws that produced aberrations, resulting in footage that looks nowhere near as clean or crisp as it does when captured with modern hardware. But decades later, many filmmakers are actively seeking out those vintage aesthetics. They want their footage to look more analog, and so will spend thousands of dollars either buying or renting sets of vintage camera lenses. The Tuners, created by Module 8, a company that includes an Academy Award-winning lens designer, can recreate the look of several older lenses, but without blowing a production’s budget.

Image for article titled These Lens Adapters Are Like Vintage Instagram Filters for Modern Cameras
Image: Module 8

Module 8 is launching with three tuners to start, which, unlike standard photography filters, are designed to sit between any EF lens and the body of any mirrorless camera—not on the end of one. They’re also not complete lens replacements—you’ll still need additional glass for focusing and zooming—but the Tuners introduce optical flaws and aberrations that will give footage a unique look that’s very hard to fake using digital post-production tools.

Image for article titled These Lens Adapters Are Like Vintage Instagram Filters for Modern Cameras
Image: Module 8

The L1 Tuner produces a look inspired by a lens called the Super Baltar, with a look that is “soft and warm with a lower contrast” to help bring a softened appearance to digital footage. The L2 Tuner replicates the look of a Canon K-35 lens, which was used to film classics like Rocky, while the L3 Tuner is designed to introduce “the vertical/horizontal depth of field effects” produced by vintage anamorphic lenses, which deliberately stretched images captured to film.

Gif: Module 8

But while Module 8's Tuners will be cheaper than trying to find vintage lenses in good working order, their pricing is still targeted at those who have a decent filmmaking budget, or who will be immediately able to make money from them. Launching through a Kickstarter crowdfunding campaign, each Tuner can be ‘pre-ordered’ with a $999 contribution (delivery is expected to be this August) or even cheaper for those who buy two or three of them bundled together. But the regular MSRP will be $1,999 for each tuner when the Kickstarter is over.

Making lenses is still a tricky business, so as with any crowdfunded product, you should anticipate delays as to when the Tuners might actually be delivered to backers. But Module 8 is partnered with a company called Moment which has lots of experience when it comes to producing lenses and camera accessories, so as Kickstarters go, there’s maybe a bit less risk with this one. But when it comes to the crowdfunding approach, there’s always going to be a risk, and it falls on the backers.

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These Lens Adapters Are Like Vintage Instagram Filters for Modern Cameras - Gizmodo
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Dear Lina, – The Brooklyn Rail - Brooklyn Rail

Goethe’s “To Lina” commands that the letters of the page, black on white, be not read but breathed so that our hearts “now can break.” What...